Soprano Alexandra Razskazoff was named a Grand Finals Winner in the 2022 Metropolitan Opera Laffont Competition. She is acclaimed by The New York Times as a "richly faceted, slinky soprano," whose soprano is "rich, distinctive of timbre, and penetrating, and possess[es] a lovely bloom on top" (Opera News).

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In 2025, Alexandra makes her debut with the Pacific Symphony in Costa Mesa, CA, reprising the role of Wellgunde in Das Rheingold. She then joins Vero Beach Opera as Nedda in I Pagliacci, a role which she then covers with the Lyric Opera of Chicago. She then goes on to sing Violetta in La traviata with Teatro Municipal de Santiago, Chile and returns to The Atlanta Opera as Wellgunde in Götterdämmerung. Her 2024 season included engagements with The Atlanta Opera as Ortlinde (Die Walküre) and Second Lady (Die Zauberflöte). She previously made her house debut in 2023 as Wellgunde (Das Rheingold). She also joined Teatro Municipal de Santiago, Chile in 2023 to make her role debut as Micaëla (Carmen).

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In the 2022/23 season, Alexandra appeared in a series of concerts with the Dallas Symphony Orchestra, Maryland Opera, Washington Opera Society, Vero Beach Opera, and Panama City Symphony. She rejoined  Palm Beach Opera for their 2023 season to cover Fiordiligi (Così fan tutte) and Alice Ford (Falstaff).

 

Alexandra made several notable company debuts in 2022, including performances Beethoven's 9th Symphony with Bozeman Symphony and Mimì (La bohème) at Teatro Municipal de Santiago, Chile. She returned to the role of Violetta (La traviata) with Out of the Box Opera and sang Donna Elvira (Don Giovanni) with Teatro Grattacielo at the Phoenicia International Festival of The Voice. In the 2021/22 season, Alexandra made her debut as Suzel in Teatro Grattacielo's production of Mascagni's L'Amico Fritz. Spending a season with Palm Beach Opera, she covered both Micaëla (Carmen) and Hanna Glawari (The Merry Widow) and sang Giannetta (L'elisir d'amore). She also appeared with Maryland Opera in their summer outdoor concert series.

 

A Grand Finals Winner of the prestigious Metropolitan Opera Laffont Competition, Alexandra has garnered much acclaim in the realm of vocal competitions. She was a semifinalist in the prestigious Operalia vocal competition in  2021 in Moscow. She has been named the 1st Place winner of the James Toland Vocal Arts. Inc. Competition, the Giovanni Consiglio International Competition, the Dorothy Lincoln-Smith Vocal Competition, Opera at Florham’s Violetta DuPont Vocal Competition, and AVA'S Giargiari Bel Canto Vocal Competition. She is also a prize winner in the Partners for the Arts Competition, the Orpheus Vocal Competition, the Premiere Opera Foundation + NYIOP International Vocal Competition, National Opera Association’s C. Bailey and D. Argento Vocal Competition, and the Mario Lanza Competition. She also won 3rd Place in Houston Grand Opera's Eleanor McCollum Competition.

 

In past seasons, Alexandra appeared with Maryland Lyric Opera in concert, singing selections from Faust, Fidelio and Der Rosenkavalier with orchestra, and joined Washington Opera Society to perform the role of Lisa in Lehár’s Das Land des Lächelns. She also debuted with the Mid-Atlantic Symphony.  She completed her formal training as a Resident Artist with the Academy of Vocal Arts (2017-18) and Minnesota Opera (2016-17). She was also a Young Artist with San Francisco Opera’s Merola Program (2017) and an Apprentice Artist with the Santa Fe Opera (2015 & 2016). While in these prestigious programs, she performed roles including Violetta (La traviata), Contessa Almaviva (Le nozze di Figaro), Musetta (La bohème), Wellgunde (Das Rheingold), and Blanche de la Force (Dialogues des Carmélites). Alexandra holds a Masters from the Juilliard School and a Bachelors from the Peabody Conservatory.